Harry Potter and the Order of the Phoenix

Harry Potter and the Oder of the Phoenix by J.K. Rowling is a book of many layers, each one revealed each time one reads it. My favorite aspect of this Harry Potter novel in particular is the way the reader gets a better feel for the true personalities of the characters. When reading the book the second time, I could focus on the little things about the characters rather than the plot. Specifically, Hermione’s goody two-shoes nature seems only to be from the comparison to Harry and Ron. Ron also branches out of his “side-kick” archetype, and begins playing Quidditch when Harry gets kicked off the team. Harry, on the other hand, is sinking further into his “hero” archetype, which is even used by his enemy, Voldemort, as his weakness. Voldemort intelligently uses this one weakness, and thereby magnifying the weakness to the readers. Harry’s fame-seeking side and desires to “save the day” are his krypotonite in this book, making his character not so lovable to the readers.

Gods behaving badly

Gods Behaving Badly by Marie Phillips is a peculiar book, much different than I expected and most certainly followed the hero cycle. The book described several of the Olympian gods who become entangled with two young mortals’ (Alice and Neil) lives. The book is full of witty banter and cute sub-plots until Zeus murders one of the mortals, under Appolo’s command because she would not love him. Then, Appolo (god of the sun) falls into a coma, bringing the world into a life with no sun. The rest of the book contains Neil and Artemis (Goddes of hunting)’s journey to the underworld to bring Alice back, and to reason with a river (yes, a river) to return the sun. The book ends in an extremely cheesy gathering of Alice’s friends and family, representing the “Resurection” part of the hero cycle, for they quite litterally are resurrecting Alice. For the “Return with the Elixir”, Alice discovers that it is the lack of belief in the Gods that is diminishing their power. Overall, Gods Behaving Badly was unexpectedly an adventure tale, following the hero cycle precisely.

Nightlight

Nightlight, a parody of Twilight written by the Harvard Lampoon, is a hysterical book and added much-needed insight to Stephanie Meyer’s overly popular series. The short book gave a detailed summary of the vampire love story, while adding a twist on the plot, making the reader aware of just how silly certain parts of Twilight are. The writers not only revealed Twilight for what it really is, but revealed the true nature of the book’s zany characters. For example, Belle Goose (based off of Bella Swan) was given an exaggeration version of her qualities, like her neediness, whininess, and vanity. The distorted version of Twilight provided a much needed wake-up call to those die-hard twitards.

The Art of Racing in the Rain

The Art of Racing in the Rain, by Garth Stein is a unique look at life through a dog's perspective. Although I expected the typical dog book, expressing the narrator's need to chase squirrels and such, this book took a look at the lives of those around the dog, Enzo. What makes the story truly different is Enzo's desire to become a man, for he is discontent with his inability to have a larger impact on his master's life. Enzo told a fairly unbiased description of the dramatic events that Denny, his master, faces. However, the one abstract element of the book was Enzo's conflict with a stuffed zebra that belongs to Denny's daughter, Zoe. The zebra taunts him; it causes him to act like a dog, and not like a human. The zebra is essentially Enzo's id, his animal instincts which he tries so hard to overcome. When Enzo tears the toy up, he is scolded--he cannot deny the dog inside of him, despite his efforts, and when he does, there are consequences. The book was mostly a "Voyage and Return" story, although it had bits of both comedy, tragedy and rebirth in it. I found this book to be an interesting read, for it included many plot lines, that just happened to be told by a dog.

Gossamer

Gossamer by Lois Lowry is a sweet story, and contrary to the child-oriented writing style, the book is appropriate for any generation. Further, I think that every age group can take something different out of the story. The book describes how “fragments” of our lives are collected through our treasured belongings by tiny nameless creatures and then “bestowed” through our ears. The most intriguing aspect of the book to me was what these creatures actually were, a question commonly pondered by the main character, “Littlest One”. The end of the book addressed the question, but ultimately put the answer up to the reader’s interpretation. Littlest One is told, upon yet again asking “what are we?”, that she is imaginary and that she lives “within…Within the stories. Within the night. Within the dreams,” (150). I also found the time frame of the book and how it affected Littlest One quite interesting as well. The exact period of the book is unknown, but it seems like it takes place over a mere week or two. As Littlest One gains knowledge and the ability to bestow, she does not grow, but instead turns more and more opaque, as she was born translucent. After she is done with her bestowal training, she is fully opaque and granted a new name—Gossamer. I think Littlest One/Gossamer’s transformation is applicable to growing up in out society. Gossamer was a pleasant read, yet triggered thoughts and questions of how the bestowers’ world paralleled to our own.

The Truth about Forever

The Truth about Forever, by Sarah Dessen, was a fun read, which was quite interesting to read a second time. I had previously read the book several years ago, but found I understood it better and enjoyed it more the second time. One thing I picked up on the second time was the structure of the chapters, and how they were parallel to the plot. At the beginning of the book, the first several chapters were consistently about either her parents or her job at the library—two boring, and connected topics. For the majority of the novel, however, Dessen alternated chapters between the parents/library theme and an exciting job at “Wish Catering” and the unusual people there. Overall, the book was about the main character’s, Macy, struggle balancing these two parts of her life. Towards, the end of the book, these topics collided. The last several chapters were about how her mother reacted with her new life at Wish, and how she dealt with her mother’s reaction. Chapters did not and could not alternate, for they began to mesh together, just like Macy’s two separate lives.

Casals and the Art of Interpretation

I found Casals and the Art of Interpretation by David Blum interesting and informative, but the writing could have been better. The ideas Blum presented are fascinating, but he often clouded them with unnecessary repetition and the reminiscing of his own life stories. The book was not exactly a “light” read, making it difficult to get through the many pages. It could have easily been shortened up, by combining chapters. The concept of the book itself is unique, as is the way he organized it. The book is not a biography of Pablo Casals, as the title may suggest, but about Casals’s ideas, comments, and construal of many pieces. It is not about Pablo Casals’s thinking as a cellist, but as a musician. Blum wrote the book in chapters, each one a favorite musical concept of Casals’s phrased as a quote from Casals’s. This remained true for a majority of the chapters. However, the last few chapters were more specific to Casals’s himself. Among these was an entire chapter dedicated to “Casals and Bach” concerning Bach’s cello suite mostly, which I found particularly interesting while currently playing the 3rd suite. Casals’s insight contained some of what I already knew, some of what I had never heard, and some that contradicted ideas that I thought I knew. Casals and the Art of Interpretation was a slow and slightly dry read, yet presented some ponderous ideas.